| Reviewer Leigh Kimmel talks about why MANSFIELD PARK AND MUMMIES: Monster Mayhem, Matrimony, Ancient Curses, True Love, and Other Dire Delights works. I was thinking about humor and how it works for me. The zombie mashup kept the characterizations intact because so much of the text was left alone, with sentences of zombie craziness inserted, after which the story reverts right back to Austen's early nineteenth century wit and situation. One reads along in the familiar text, which is left untouched for a page or two, then suddenly the well-known characters in the well-known quiet country town once again explode into zombie action and manic exchanges. It's as if someone took a well-known kiddie cartoon and inserted bits where the cute bunnies or whatever pull out kalashnikovs and blow away all the bad wolves--then revert right back to lolloping about the countryside sniffing flowers. For me it got old fast--no one seemed to have a memory of zombies attacking England--there were none of the what ifs that make alternate universes fun, and there was no effort, or little effort, to reproduce period language. Zombies in period would have tickled my sense of the ridiculous. I suspect part of the great popularity is because it doesn't try for period tone, which makes it more accessible for modern readers who've heard of P&P and maybe sat through the Colin Firth film a time or two, but otherwise don't know the book. The Seamonsters book was tedious to me because the writer took great pains to alter just about every paragraph, turning the south of England into a nightmare jungle of sea-related horrors . . . and so skewed the characters that none of them were recognizable, except for their names. The delicate interdependence of wit and irony balancing real emotion was totally gone, replaced by dripping grue, smells, and various agrossities. The characters distorted beyond recognition. Vera Nazarian gets just as ridiculous what with mummies, werewolves, vamps and all the supernatural, but she managed to keep the voices recognizable, choosing a monster self that fits each changed character. Of course Mary Crawford is a vamp--she's very nearly an emotional vamp in the book. And Mrs. Norris a werewolf? Works for me. Lady B. is still vapid, but maybe under a spell. Edward becomes more of a willfully blind stick than he already is, and Fanny gets to take agency at last. Comedy for me is a balance between ordinary people in extraordinary circs--or the converse, extraordinary people trying to cope with ordinary circs. The Mummies book begins with ordinary people in increasingly extraordinary circs, but gradually alters to extraordinary people trying to impose ordinary circs on escalating chaos. And that built the humor toward the payoff, for me. | |
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| Can you believe 2009 is almost over? I can't. But thanks to my fellow MG/YA authors at debut2009, it's been an exciting year with lots of new friends and good reading in it! So here's our parting gift to you, dear readers:  | |
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| I can walk, and I feel better! God be praised.
Thanks to all my friends, on LJ and elsewhere, who have borne with me and helped me pull through the last six dismal weeks.
Oh, and apropos of nothing, a random Happy Birthday to Freeman Dyson and Tim Conway. | |
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| I have had a nasty head-cold for the best part of a week now, and I am so over being sick. At least on Monday and today I felt well enough to do my exercise-walk-with weights, which I had not been up to for almost a week. Had a really quiet weekend recovering slowly. Dinner Saturday night with montjoye was lovely, as usual. Monday evening, listened to an informative talk on Sudan, by woman who had been there several times recently. Today, helped Kerry G and bar_barra with their Christmas card addressing: a paid gig. Spent much of Friday with Mark L in St Kilda, discussing stuff, as we do. Wednesday, had the office lunch with our staff, ND and mishymoocow. Tuesday night, Mannie G gave a well put together, and very Popperian presentation on AGW. So, things happening but I would prefer to be healthy | |
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| The local community college has a Science Fiction lit course. I can't fit it into my current schedule, but I so want to come back and take it later (that and the Space Flight/Sciences course). http://www.ppcc.edu/media/files/pdf/previous-catalogs/Catalog09-10.pdfI'm going through the catalog, and I'm actually kinda getting excited (we'll see what it's like a few months from now). Why wasn't I this interested in school when I was in High School (2.1 GPA, I'm embarrassed to say...and people don't believe me when I tell them I'm actually stupid, under the seemingly smart exterior)? My course load was selected from this list: http://www.uccs.edu/~transfer/Best_Choices/094_Guides/BC%20CSCI%2009-10.pdfThe numbers by each one indicate credit hours. I have no idea which initial math class I'll be put in, hence the question marks. A foreign language is a requirement for 4 year schools. It was a toss up between Spanish, Italian, and Japanese (anime!). I chose the most practical of the three. Extra 1 - 12 Spanish I - 5 Int Algebra?/College Algebra?/Pre-calc? - 4 Interpersonal Comm - 3 1st semester - 13 Spanish II - 5 Calc 1 - 5 Introduction to Philosophy - 3 2nd Semester - 15 English Composition I -3 Computer Science 1 - 4 Calc 2 -5 History - 3 3rd Semester - 14 English Comp II - 3 Phys/Calc 1 - 4 Cultural Anthropology - 3 Computer Scence II - 4 4th Semester - 12 Logic - 3 Phys/Calc II - 4 C Unix Prog - 3 Early Civilizations - 3 Extra 2 - 7 Physical Anthropology (evolution, etc...) - 3 Physical Geology - 4 It's gonna be a busy few years *sigh*. Though, at 4 of those courses are gimmes....Eng Comp I & II, Intro to Philosophy, and perhaps Logic. The philosophy ones I would gladly give up for some more computer science electives, but I guess they don't count on you studying that stuff on your own? Who knows, perhaps I'll learn something. Though as leery as I am about text book based philosophy/humanities courses.... | |
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| follow me! (addme to lj if you want too) name: stefanie age: 21 location: toronto job: student likes: dancing, shopping, tanning, drinking, partying, blackberrys, email, twitter, lj, facebook, ipods, laptops, internet, cars, driving etc. dislikes: haters, assholes, ignorance, lingerers (lol), bitchy people pictures:
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| http://feedproxy.google.com/~r/cerebratescontemplations/~3/eduwX1cRYQ4/the-gathering-storm-robert-jordan-and-brandon-sanderson.html (See Amy’s review of this book here.) It’s that time at last! In which I shall finally get around to my Gathering Storm review, and yes, I did read it much much earlier than this, but, hey, sometimes it takes me a while to get around to writing these things up. I shall endeavor to remain spoiler-free in detail, just in case, but I may let a few generalities slip here and there. But then, you all read it a long time ago, huh, so that shouldn’t be that much of a problem, I think. Well, that was a roller-coaster ride, huh? The pace of events now speeding right along. As I may have mentioned, I thought we were seeing something of a return to form with Knife of Dreams, but Sanderson writes Jordan moving along a lot faster than Jordan ever did. (A thought to contemplate: and given that he ended up cutting the last book into three while writing the plot at this pace, would anyone care to speculate how long it might have been, or how many volumes we might have ended up with, had Jordan been writing them? Whew.) Nice job on the voice, too. Sanderson does a very good job of writing in a style that fits the world – as Amy said - (although I did have a few concerns along those lines during the first part of the prologue, with the Borderlands farmer) without falling into the trap of producing a Jordan pastiche, or worse, cod-Jordan. Also, along similar lines, good capturing of the original characterization, although here I must follow almost everyone else who has written a Gathering Storm review and complain about Mat, who isn’t quite his old self. Ah, well. Hopefully that’ll settle down by next book. (Although, on Mat, I do hope that his Extended Horror Movie Sequence has some point, purpose or payoff later, too, because I’m not entirely sure it was worth it on its own.) Not sure how much more I can say without spoilage, so for now, just a quick summation: Excellent book! Recommended if you have read the series up to now, and recommended if you gave up in the past, and recommended if you haven’t started yet, ‘cause if you start now, you might just be ready to finish with the rest of us.


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| Hey my name is Fiona. I'm 26 from Ireland. I hate my job lol I'm totally wasting all my potential but too much of a lazy bum to fix it. I like music some bands/musicians I'm interested in include Rilo Kiley, Jenny Lewis, New Pornographers, Broken Social Scene, Arcade Fire, Flaming Lips, Blonde Redhead, Ryan Adams, Sufjan Stevens, Wilco, Regina Speckor, Modest Mouse, Cat Power, Interpol and Kate Bush. Other activities I enjoy include, Reading, Formula One, laughing sarcastically, improving my posture, film, travelling, barbie, hello kitty, overusing ellipses and parentheses. Huge West Wing fan, and I secretly really like re-watching old episode of Gilmore Girls but I watch tonnes of other stuff too and am open to rec's. I like walking, jumping in high heels, hot chocolate, falling asleep in the bath, sneezing, sleeping, nintendo, taking pictures of random old people when on holiday, penguins and Disney. I also enjoy muchly pretending to text in awkward situations. If I sound like someone you might be interested in getting in touch with then add away because I really want to meet some people on twitter that I can correspond with and who will reply and stuff. Oh yeah my address is http://twitter.com/Fonski | |
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| http://feedproxy.google.com/~r/cerebratescontemplations/~3/5rlEnD5ysJw/diversity-in-adultery.html Further signs that the world has gone insane: Here's my real question, though: What's with the whole Barbie thing? No offense to anyone who actually looks like Barbie, but it really is striking how much the women who've been linked to Woods resemble one another. I'm talking about the long hair, the specific body type, even the facial features. Mattel could sue for trademark infringement. This may be the most interesting aspect of the whole Tiger Woods story -- and one of the most disappointing. He seems to have been bent on proving to himself that he could have any woman he wanted. But from the evidence, his aim wasn't variety but some kind of validation. I'm making a big assumption here that the attraction for Woods was mostly physical, but there's no evidence thus far that he had a lot of time for deep conversation. If adultery is really about the power and satisfaction of conquest, Woods's self-esteem was apparently only boosted by bedding the kind of woman he thought other men lusted after -- the "Playmate of the Month" type that Hugh Hefner turned into the American gold standard. But the world is full of beautiful women of all colors, shapes and sizes -- some with short hair or almond eyes, some with broad noses, some with yellow or brown skin. Woods appears to have bought into an "official" standard of beauty that is so conventional as to be almost oppressive. Clearly, we must correct this problem of underrepresentation by introducing quotas, or maybe some form of points system, to ensure that everyone in Our Great Nation sleeps with a group of people statistically representative of the greater population on an annualized basis. (Alas for those who are determined to remain monogamous, unless their spouse happens to have exactly the right genetic background.) Seeing as the personal really is political, and all…


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| A reader asks: A few years ago, you posted a link to an article talking about early speculations into the impossibility of space travel (something about how, in the vacuum of space, there will be no air to react against or some such). I've tried to locate it, and seem to have been unable to. Do you recall what it was? Thanks! A: Yes. Here is the article I wrote: http://johncwright.livejournal.com/2008/07/16/ Full text is below. * * * I heard this story on Paul Harvey, and was so bemused, that I rushed home and looked it up. It is true. The NEW YORK TIMES has not changed a bit. In 1919 Goddard published a monograph A Method of Reaching Extreme Altitudes where he described the multi-stage rocket, and proposed it would be possible to send such a device out of the earth's atmosphere and reach the moon. His idea was to set off an explosive charge during the new moon, with a flash brilliant enough to be seen by powerful earthly telescopes. The January 1920 edition of the NEW YORK TIMES wrote an editorial calling Goddard's knowledge and honesty into question. Science fiction fans still chortle over this one. I recall a short story by A.E. van Vogt which dealt with a professor-astronaut trying to explain to dimwitted newspapermen that a rocket, to fly in space, does not need air for its explosive charges to push against. (Go, go gadget Internet! The story was "The Problem Professor", published as "Project Spaceship" in 1949. If you wonder what I mean by 'professor-astronaut', keep in mind that in SF stories, like the Wright Brothers, the inventor was usually the test pilot. ) The money quote from the 1920 TIMES article is this: "… after the rocket quits our air and really starts on its longer journey it will neither be accelerated nor maintained by the explosion of the charges it then might have left." It goes on "That Professor GODDARD with his "chair" in Clark College and the countenancing of the Smithsonian Institution, does not know the relation of action to reaction, and of the need to have something better than a vacuum against which to react—to say that would be absurd. Of course he only seems to lack the knowledge ladled out daily in high schools."
Note the scare quotes to refer to Goddard's chair at the college. But the TIMES now must question the great scientist's honesty: "But there are such things as intentional mistakes or oversights…." The TIMES then turns from calling Goddard a liar to critiquing science fiction. Here is the paragraph: " ... JULES VERNE, who also knew a thing or two in assorted sciences—and had, besides, a surprising amount of prophetic power—deliberately seemed to make the same mistake that Professor GODDARD seems to make. For the Frenchman, having got his travelers to or toward the moon into the desperate fix of riding a tiny satellite of the satellite , saved them from circling it forever by means of an explosion, rocket fashion, where an explosion would not have had in the slightest degree the effect of releasing them from their dreadful slavery. That was one of VERNE 's few scientific slips, or else it was a deliberate step aside from scientific accuracy, pardonable enough in him as a romancer, but its like is not so easily explain when made by a savant who isn't writing a novel of adventure." Forty nine years afterwards—one year shy of half a century— on July 17, 1969, the New York Times published a short item under the headline "A Correction," summarizing its 1920 editorial mocking Goddard, and concluding: "Further investigation and experimentation have confirmed the findings of Isaac Newton in the 17th century and it is now definitely established that a rocket can function in a vacuum as well as in an atmosphere. The Times regrets the error." Of course, this was one day after the launch of Apollo 11. The TIMES is good-natured about the old mistake, mentioning that this principle has been known since Newton. But the TIMES is, as it turns out, behind the times: centuries late when it comes to physics, and decades when it comes to printing their retractions. (Better late than never—they still were swifter than the Roman Catholic Church pardoning Galileo.) Just keep this sort of thing in mind when you read newspaper stories about stem cell research, global warming, the 'Star Wars' strategic missile defense initiative, diet fads, Alar, DDT, the ozone hole, or any other bit of science reporting. The newsmen really don't know what they are talking about, and they like to sneer as if they did. | |
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| What do you do if you are young, quite pretty, and your working life is over? Martina Hingis is having an appalling few months. A couple of months ago she appeared on the British TV show Strictly Come Dancing - and she was the first to be eliminated, though she did not deserve it. A few days ago she took part in a horse-riding competition in Paris, and fell off. I just hope she finds something to do that she enjoys and in which she suffers no public humiliations. | |
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| Swunk from various LJ friends: Here comes Superversive! Here comes Superversive! Right down Superversive Lane! Here Comes Santa Claus from the Christmas Song Generator. I cheated a bit — kept hitting ‘SING’ until I got one that scanned. By the way, my gouty toe has acted up again, and I spent much of this past week lying down with my foot propped up . . . again. *sigh* Feeling a bit better now, but my foot keeps cramping up because of the unnatural effort of walking in such a way as to keep the weight off the afflicted toe. | |
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| http://mail.opensolaris.org/pipermail/opensolaris-announce/2009-August/001220.htmlOld news...but... Sun is announcing the intent to discontinue production of the Solaris Express Community Edition (SXCE) by the end of October time-frame. As we intend to continue on a bi-weekly build schedule, consolidations will move towards producing native Image Packaging System (IPS) packages alongside SVR4 packages and then phase out the latter completely. Technologies such as IPS, Automated Install, Snap Upgrade and the Distribution Constructor will be integrating into a consolidation after following through the established processes including architectural (ARC) review.
We recognize that this transition will require some effort for all members of the OpenSolaris development community, and are committed to working with all of you in making that transition a success. You can expect updated information from us and the communities which manage the consolidations as we further plan the transition schedules. Discussion on Ben Rockwood's blog may be found here: http://www.cuddletech.com/blog/pivot/entry.php?id=1099If you care about this sort of thing, be sure to get your copy: http://hub.opensolaris.org/bin/view/Main/downloads | |
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| I often get asked, by my fellow system admins, why go into programming? Well, I have three answers for this: 1) Programming is how I first got into computers. I knew few greater joys than figuring out some cool new way to implement something. Especially when others said it was impossible, and I would finished it in 30 minutes (yes, this has happened before). This is also why I have a tendency not to listen to naysayers. The naysayers are more often wrong than right (ie a current retarded Republican, who is blind as a bat when it comes to the future of human space travel...excuse me, Sen. Shelby, but shouldn't you be rooting for private industry?). Take a look at the history of rocketry to see what I mean . I would provide a link, but cannot recall where the article I read was...it was about early speculations on the impossibility of space fligh). SA work was more or less a sidetrack, in part due to circumstances at the time, as well as a desire to learn everything about computers (IMHO, an impossible task). An extension of this says, that knowledge of a more broad computer science, and the code behind, leads to an increased understanding. 2) Expanding on number one, it only opens more doors than it closes. For example, one of my coworkers has a BS in computer science, and is an indispensable member of the team. So, one cannot say that I'm abandoning SA for programming, only broadening my possibilities. 3) Why fix other people's broken crap, when I can make my own half-broken crap? Half my job entails working around some development error or another. So, there you have it...my reasons for pursuing computer science (as for computer science vs say a BA at St. John's? That's a totally different issue that causes a degree of sadness, and will not get into). | |
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| - Mood:cheerful

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| So, I was reading this post by addienfaemne, entitled "On Sexism in the Speculative Fiction Canon" ( http://addienfaemne.livejournal.com/790108.html?thread=5317724), which largely consisted of a long quote from a person called Bidisha in the Guardian, "When Harry Met Sexism" ( http://www.guardian.co.uk/commentisfree/2008/may/22/harrypotter.women), which was mostly an attempt to defend J. K. Rowling -- unfortunately, by attacking other fantasy fiction. And, among other things, it contained this whopper of inept criticism, which addienfaemne quoted in her post: Readers who rave about the scope of Lord of the Rings, in which a club of white men flee (a) a big burning vagina and (b) some black guys in hoods ...to which I pointed out the obvious, namely ... the quote you excerpted shows Bidisha's lack of familiarity with the source materials. To take her obvious mistakes regarding Tolkien, the Fellowship of the Ring is not a "club of white men" (only two of the Nine Walkers are technically "Men" at all, and only one of them what we would think of as remotely a modern Caucasian), the Nazgul aren't "black guys in hoods" (they are wraiths who are wearing black cloaks), and the Eye of Sauron is rather clearly not meant to stand for "a big burning vagina." That much contemptuous ignorance, shown toward one of the founders of the modern fantasy genre, makes me deeply question just how widely and deeply Bidisha has read the corpus she is attempting to criticize.which all happens to be true. What I did not realize was that addienfaemne was quoting Bidisha approvingly (why would someone quoting a critic "approvingly" include a hilariously-ignorant statement like that?) and so she replied to my point with "I don't like you. Please go away. I'm not sure why you still read my journal." Now, I'm a bit curious about why my point aroused such hostility. Did addienfaemne assume I was disagreeing with her about Harry Potter? Or about the larger issue? Was what I said in any way shape or form offensive? Or am I simply not supposed to point out the obvious if it would make someone on the Left look bad? I ask everyone's opinion regarding that exchange. | |
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| Paul Samuelson is dead at 94.
I think it's pretty safe to say he was the most influential economist of the 20th century. One thing that always impressed me about him was his sense of humor, which came through in his writing. There have been several occasions when I was reading something he wrote and I actually laughed out loud. That's pretty remarkable for an economist. | |
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| A good rule. But it does raise the question of exactly how media you want your res. ( Read more... ) | |
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| OK, here's a happier post. I am the latest, though certainly not the last, to fall under the spell of Owl City. "Fireflies" is now my ringtone. I am such a sheep. "Hello Seattle" is as open to invention as Cole Porter's "You're the Top". Here are a few verses I've added: Hello Seattle, I am a blank diskette Formatted for Windows With all your thumb drives, I am forgotten now In the back of your bottom drawer
Hello Seattle, I am a lycanthrope Howling in the summer's dusk I hunt in greenbelts, stalking the albatross Playing tag with fishing crows
Hello Seattle, I am a lightning bug I appear on track nine I'm in the thread that holds up the disco ball And in a jar by your bed In other musical news, Andy Hunter has a new track for sale, "Physicality", but no word yet on an album. | |
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| This sketch is a classic of British comedy, one of my all-time favorites. It's nonstop funny because everything Ronnie Corbett says is actually a punch line. I'm sure it holds some sort of record. | |
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| Hi, I'm Jasmine Danielle. I'm a 22 year old lesbian living in Maryland. I love my girlfriend, blogging, meeting new people, studying strangers, the sky, caffeine, and life. I tweet anywhere from 5-15 times a day, and I'm very big on talking and responding with people on Twitter as well. Follow me, and I'll follow you back =] I love getting to know new people. twitter.com/LockAndKeyy- Mood:sad
 - Music:Angels & Airwaves-The Adventure
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